Mesa V-Twin Rackmount - Happy Camper!
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Bobby Lee
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Mesa V-Twin Rackmount - Happy Camper!
I just replaced my older Real Tube II with a Mesa V-Twin preamp. Wow, what a difference!
The bottom end and the presence control give an astounding richness to the tone. The clean sound is just gorgeous, and the distorted channel is the best I've ever used.
Instead of just switching channels, you can blend the two using a "Mix" knob. Thrown all the way to the right, you get the clean sound. Then as you move the cotrol counter-clockwise, you gradually increase the sound from the distortion channel. Combining the two really brings out the harmonics in the tone.
I couldn't get my MPX-100 to work well in the effects loop, so I simply put it between the preamp and the Mesa Fifty/Fifty power amp. After I got it working last night, I just noodled on the back neck of my Williams for a couple of hours. I can't wait to get this out on a gig!
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<small><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs
Sierra Session 12 (E9), Williams 400X (E9, D6), Sierra Olympic 12 (F Diatonic)
Sierra Laptop 8 (D13), Fender Stringmaster (E13, A6)
The bottom end and the presence control give an astounding richness to the tone. The clean sound is just gorgeous, and the distorted channel is the best I've ever used.
Instead of just switching channels, you can blend the two using a "Mix" knob. Thrown all the way to the right, you get the clean sound. Then as you move the cotrol counter-clockwise, you gradually increase the sound from the distortion channel. Combining the two really brings out the harmonics in the tone.
I couldn't get my MPX-100 to work well in the effects loop, so I simply put it between the preamp and the Mesa Fifty/Fifty power amp. After I got it working last night, I just noodled on the back neck of my Williams for a couple of hours. I can't wait to get this out on a gig!
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<small><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs
Sierra Session 12 (E9), Williams 400X (E9, D6), Sierra Olympic 12 (F Diatonic)
Sierra Laptop 8 (D13), Fender Stringmaster (E13, A6)
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Chris Bauer
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Len Amaral
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Bobby Lee
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I don't have a solid state power amp, Len. My first experience with the V-Twin was when I recorded Fred Campbell through one, directly into the recorder. I was amazed by the rich, dynamic bass tones it produced.
I would expect it to perform well with any good solid state power amp. It's hard for me to imagine a better sounding preamp than the V-Twin.
I would expect it to perform well with any good solid state power amp. It's hard for me to imagine a better sounding preamp than the V-Twin.

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Dave Van Allen
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Chris Bauer
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I guess I don't even know if they're still being made but mine is also a rackmount. As for prices, I really don't know since I don't ever seem to see them being sold anymore. Mine was barely used and I got it for well under what I suspect it would usually sell for so, other than for the purpose of envy generation, I'm not sure the price I paid would be too helpful... 
Again, though, it's a terrific unit!

Again, though, it's a terrific unit!
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Larry Clark
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I use a V-Twin and a MPX-100 as well. I also added an Aphex Parametric EQ between the two for extra "tweaking". For now I am running it through the power amp input of my Nashville 400. Even with the Lemay mod it sounds MUCH better than using the Nashville alone. I would love to hear it through a good tube power amp like a VHT or Mesa.
The rackmount version has been discontinued. I think Mesa dropped it when the Tri-axis came out. I would think that used V-Twins would be in the $300-400 range. Hope this helps.
BTW B0B, I couldn't get satisfactory results trying to run through the effects loops either. Larry Clark Herndon Va.
The rackmount version has been discontinued. I think Mesa dropped it when the Tri-axis came out. I would think that used V-Twins would be in the $300-400 range. Hope this helps.
BTW B0B, I couldn't get satisfactory results trying to run through the effects loops either. Larry Clark Herndon Va.
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Bobby Lee
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I'm sorry to hear that they've discontinued it. I've heard that the stomp box isn't nearly as versatile.
I paid $300 for mine, used - a great deal from Wayne Paden (PLAYSTEEL9) in Buy & Sell here on the Forum. I think list price was about $500.
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<small><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs
Sierra Session 12 (E9), Williams 400X (E9, D6), Sierra Olympic 12 (F Diatonic)
Sierra Laptop 8 (D13), Fender Stringmaster (E13, A6)
I paid $300 for mine, used - a great deal from Wayne Paden (PLAYSTEEL9) in Buy & Sell here on the Forum. I think list price was about $500.
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<small><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs
Sierra Session 12 (E9), Williams 400X (E9, D6), Sierra Olympic 12 (F Diatonic)
Sierra Laptop 8 (D13), Fender Stringmaster (E13, A6)
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Bobby Lee
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Jim Smith
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Bobby Lee
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Larry Clark
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- Location: Herndon, VA.
B0B,The mini-toggles are different voicings. In the solo channel position 1 is crunch,2 is lead,and 3 is blues. The clean channel has #1 as scooped,2 is bright,and 3 is fat. As far as the tuned output, the earlier model of the V-Twin had it marked as record out. It's just a fixed level output. Unfortunatly the output seems too high and too distorted to be of much use. If you didn't get one you can download an owners manual from the Mesa website. Hope this helped... Larry Clark
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Jim Smith
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Bobby Lee
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Jim Smith
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Fred Murphy
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I have the V-Twin stomp box. I don't seem to care that much for it for steel, but I love it to use with my guitar. I set it up for my guitar and then run it to the Peavey 1000, and I don't have to carry an extra amp and it sounds great with the Peavey. I don't have to reset anything when I change from steel to guitar. I believe it was in the $350 range. I can make it sound pretty much like a Fender twin with a Stratocaster or Tele.
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Jerry Erickson
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the V-twin is really nice for steel. I 've thought about getting one but I've worked over an old Twin and a 77 Pro Reverb and am quite pleased with them. I've previously had good results with the V-twin pedal, but I found that I had to place it after the volume pedal or it would distort at any setting because of the hot output of steel guitar pickups. I did a recording date when I got my new (used) Fessy and recorded it straight to tape with the V-twin pedal and had great results using the record out jack.
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Larry Clark
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