Success Stories Using Smaller Tube Amps?
Moderator: Dave Mudgett
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John Russell
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- Location: Austin, Texas
Success Stories Using Smaller Tube Amps?
In the 25+ years I've been playing steel guitar, like most of you guys, I have tried just about every type of amp. My first amp used with steel was a Fender Super reverb. Later I used a Bassman, then a Vibrosonic and then a series of solid state amps. Somehow I was never satisfied with the SS sound. I have recently been using a Fender Hot Rod Deluxe with great success--I feel like I'm "back in the saddle" with great sparkling tone and sweet reverb.
I usually play with my 4-piece swing band that has no drummer so the 40-watt HR Deluxe is ample power. Last night I used it with Texas Fever, a pretty revved up country-rock band and I was pleasantly surprised to find it did a great job.
A few qualifiers: (1) At high volume, it does distort slightly but you have to push this baby pretty hard and when you do, it's too loud for my wimpy ears. (2) I don't play C6, though I do play a B6 universal and I get down on the low E and B notes plenty. (3) I do enhance the sound with a Boss GE-7 equalizer which I use to pump up the lows. Still, the amp sounds fantastic.
I'll gladly live with the minute amount of occasional distortion to get that great tone, AND not have to lug around a 90 lb. Twin Reverb (the HR Deluxe weighs half that amt).
For now, I have parked the rack gear with the 15" EV and am stoked about this little Fender. I'm wondering now how good it would sound with a JBL, BW or other quality speaker plus the new Jan Phillips tubes.
BTW, I'm not knocking Peavey products per se. I understand they make great tube amps and pre-amps as well.
Anybody else having this epiphany re great tube amps?
--JR
I usually play with my 4-piece swing band that has no drummer so the 40-watt HR Deluxe is ample power. Last night I used it with Texas Fever, a pretty revved up country-rock band and I was pleasantly surprised to find it did a great job.
A few qualifiers: (1) At high volume, it does distort slightly but you have to push this baby pretty hard and when you do, it's too loud for my wimpy ears. (2) I don't play C6, though I do play a B6 universal and I get down on the low E and B notes plenty. (3) I do enhance the sound with a Boss GE-7 equalizer which I use to pump up the lows. Still, the amp sounds fantastic.
I'll gladly live with the minute amount of occasional distortion to get that great tone, AND not have to lug around a 90 lb. Twin Reverb (the HR Deluxe weighs half that amt).
For now, I have parked the rack gear with the 15" EV and am stoked about this little Fender. I'm wondering now how good it would sound with a JBL, BW or other quality speaker plus the new Jan Phillips tubes.
BTW, I'm not knocking Peavey products per se. I understand they make great tube amps and pre-amps as well.
Anybody else having this epiphany re great tube amps?
--JR
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Donny Hinson
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chas smith R.I.P.
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Tony Prior
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John. I too latey have been using my Hot Rod Deluxe with a small Fender 12" extension cab.
The gigs are small rooms, low to moderate volume , where they ask you to turn down before you even set up .. I use the HRD for my Tele and Steel and don't carry two amps anymore..
The tone is fine, a little on the bright side but I can control that. I have not had any volume / headroom issues with the one exception of playing on the lower ten using the #8 pedal with the Boo-Whaaa phrase..Not that big of a deal though..it's not a concert or a session..it's a $65 gig...
where people dance to Louie Louie...
I have come to use the HRD pretty much all the time now on these gigs..
Sadly the N1000 sits alone..under a cover ..at home in the garage...but it will have its day...it always does...
tp<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Tony Prior on 25 May 2003 at 03:50 AM.]</p></FONT>
The gigs are small rooms, low to moderate volume , where they ask you to turn down before you even set up .. I use the HRD for my Tele and Steel and don't carry two amps anymore..
The tone is fine, a little on the bright side but I can control that. I have not had any volume / headroom issues with the one exception of playing on the lower ten using the #8 pedal with the Boo-Whaaa phrase..Not that big of a deal though..it's not a concert or a session..it's a $65 gig...
where people dance to Louie Louie...
I have come to use the HRD pretty much all the time now on these gigs..
Sadly the N1000 sits alone..under a cover ..at home in the garage...but it will have its day...it always does...
tp<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Tony Prior on 25 May 2003 at 03:50 AM.]</p></FONT>
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Bobby Lee
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Fender's Hot Rod Deluxe has the same amount of power as my little Mesa/Boogie Maverick prototype. I use the Boogie for bar and winery gigs and it works just great. Plenty loud!
I recently lightened it up with a Tone Tubby speaker, and I have an extension cabinet with another Tone Tubby. (Anyone wanna buy a 20-year-old EVM?
) The Tone Tubbies are rated at 25 watts, and they sound really sweet. With two of them, I'm safely handling all of the power the amp can produce.
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<small><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (C6add9), Sierra Laptop 8 (D13), Fender Stringmaster (E13, A6),
Roland Handsonic, Line 6 Variax
I recently lightened it up with a Tone Tubby speaker, and I have an extension cabinet with another Tone Tubby. (Anyone wanna buy a 20-year-old EVM?
) The Tone Tubbies are rated at 25 watts, and they sound really sweet. With two of them, I'm safely handling all of the power the amp can produce.------------------
<small><img align=right src="http://b0b.com/b0b.gif" width="64" height="64">Bobby Lee - email: quasar@b0b.com - gigs - CDs
Sierra Session 12 (E9), Williams 400X (Emaj9, D6), Sierra Olympic 12 (C6add9), Sierra Laptop 8 (D13), Fender Stringmaster (E13, A6),
Roland Handsonic, Line 6 Variax
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Brad Sarno
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- Location: St. Louis, MO USA
Can you fit a 15" speaker in a Hot Rod Deluxe?
I play half my gigs (E9 only) with a '68 Fender Deluxe Reverb with an old JBL D-120 12" in it. That 24 watt amp with the efficiency of the JBL is very loud. It's great for small bars and for getting a little tube drive in the tone. The sound of a Fender/JBL breaking up is a very clean type of distortion and the notes dont seem to get lost in the overdrive like with other setups. BUT, that rig just will not do the fat bottom end. I agree that you need watts to create solid bass. I dont think 12" speakers are as well voiced right for that beef either. Although I've heard a 2-12" JBL loaded Twin that was pretty beefy sounding. That Chalker sound is 420 watts and 2-15" speakers (2 Session 400's) right?
I've been wanting to try either an old Fender Pro-Reverb with a 15" in it or a Hot Rod Deluxe with a 15". Two 6L6GC power tubes are pretty loud if you sit close enough and the band isn't too loud.
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Brad Sarno
Blue Jade Audio Mastering
St. Louis
I play half my gigs (E9 only) with a '68 Fender Deluxe Reverb with an old JBL D-120 12" in it. That 24 watt amp with the efficiency of the JBL is very loud. It's great for small bars and for getting a little tube drive in the tone. The sound of a Fender/JBL breaking up is a very clean type of distortion and the notes dont seem to get lost in the overdrive like with other setups. BUT, that rig just will not do the fat bottom end. I agree that you need watts to create solid bass. I dont think 12" speakers are as well voiced right for that beef either. Although I've heard a 2-12" JBL loaded Twin that was pretty beefy sounding. That Chalker sound is 420 watts and 2-15" speakers (2 Session 400's) right?
I've been wanting to try either an old Fender Pro-Reverb with a 15" in it or a Hot Rod Deluxe with a 15". Two 6L6GC power tubes are pretty loud if you sit close enough and the band isn't too loud.
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Brad Sarno
Blue Jade Audio Mastering
St. Louis
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Pat Burns
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...I had a Hot Rod Deluxe, that I bought nearly new for $350, but like an idiot, I sold it. I didn't really like the amp for steel or acoustic, but it sounded great with a Tele..it's a matter of taste, of course...even so, it would have made a great practice amp for the steel, and easy to move...I don't believe the cabinet will accomodate a 15" speaker, but you can hook one up outboard...
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Cartwright Thompson
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John Russell
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As I posted earlier, the HRD doesn't work for everyone under all conditions. Like Bobby Lee, I play small outdoor parties at moderate volumes and small clubs or restaurants.
Last night I heard Redd Volkeart with Jim Murphy at the Continental Club. It was hot lick heaven, but my 40 watt Fender probably wouldn't have been up to that sound level. Those guys burned--my ears are still ringing! Incredible playing though.
Tonight I'm playing at the Convention Center on a large stage with a large sound system. I'm going to try out the Fender and see what happens. I'll probably point it straight at me, like a monitor and let the system handle the gain. The audience shouldn't have any trouble hearing me since it'll be miked. We'll see, I might have my rack rig on standby just in case.
Last night I heard Redd Volkeart with Jim Murphy at the Continental Club. It was hot lick heaven, but my 40 watt Fender probably wouldn't have been up to that sound level. Those guys burned--my ears are still ringing! Incredible playing though.
Tonight I'm playing at the Convention Center on a large stage with a large sound system. I'm going to try out the Fender and see what happens. I'll probably point it straight at me, like a monitor and let the system handle the gain. The audience shouldn't have any trouble hearing me since it'll be miked. We'll see, I might have my rack rig on standby just in case.
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John Russell
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I did read on this forum that Lloyd Green uses a Hot Rod Deluxe with a JBL 15" so the speaker will fit the cabinet. It's starting to get kinda heavy though!
About the brightness, true it's a little bright for steel. The way I make it work is using my Boss GE-7 equalizer. It's really the key to good tone. I boost the two low bands up about 80%, drop the mids and bring up the last two high bands in varying configurations. It's a great tool, I've used it for many years on lots of amps. If you really punch some low chords or notes, sure it'll break a little. That's how I know when that I'm too loud!
By the way, that same setting works beautifully for my D-28 acoustic with the Fishman pickup. For electric guitar, I have to flatten out the settings and boost the highs plus adjust the reverb and delay. Still beats hauling two amps!
About the brightness, true it's a little bright for steel. The way I make it work is using my Boss GE-7 equalizer. It's really the key to good tone. I boost the two low bands up about 80%, drop the mids and bring up the last two high bands in varying configurations. It's a great tool, I've used it for many years on lots of amps. If you really punch some low chords or notes, sure it'll break a little. That's how I know when that I'm too loud!
By the way, that same setting works beautifully for my D-28 acoustic with the Fishman pickup. For electric guitar, I have to flatten out the settings and boost the highs plus adjust the reverb and delay. Still beats hauling two amps!
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Jon Light (deceased)
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Jeff A. Smith
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A friend of mine, Ed Miller, submitted a thread recently that asked about Mr. Green's choice of Fender amps. I couldn't find it in a search, but as I remember, Lloyd uses an extension cabinet and just runs a cord from the amp section of the combo amp he's using. Someone correct me if I didn't read this thread close enough a month or two ago.
I also noticed in my search where he cleared up some confusion by saying that he still intended to use Nashville 1000's for live shows. The tube Fenders were for the studio only.
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 26 May 2003 at 08:46 PM.]</p></FONT>
I also noticed in my search where he cleared up some confusion by saying that he still intended to use Nashville 1000's for live shows. The tube Fenders were for the studio only.
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 26 May 2003 at 08:46 PM.]</p></FONT>
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Chris DeBarge
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Dan Tyack
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Another vote for the THD BiValve. For loud country gigs I sometimes use a Showman (an old one), but the BiValve (at around 30-40 watts) is plenty lound for the gigs I do.
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www.tyack.com
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www.tyack.com
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Tony Prior
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Actually folks, the Hot Rod Deluxe cabinet will not allow a 15" speaker to be installed. There is not enough room . The size and shape of the Electronics and the way it is installed in the cabinet will not allow for a larger speaker, especially one with a larger magnet. I did read where Lloyd responded to the use of the Hot Rod Deluxe with a 15" speaker..it was an extension cab. But hey..stranger modifications have happened I supposed...
tp
tp
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John Russell
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The Convention Center went great but I copped out and used my rack rig with the 15" EV. It turns out the band hired a fiddle player, when I arrived he was already set up on my right with his Peavey Reonown 2X12" amp and with David on the left honking thru his Fender 75 (often running wide open) I opted to go with the bigger rig. There was a space issue too, I didn't have room to position the HR Deluxe around front, everything went on the backline. It still may have worked, the monitors were incredible. Kudos to AVW, the sound and video company who did the sound. Their crew was top notch, easy to work with. Those monitors were EAW speakers and they pack a lot of sound in a small package. Very clear and clean.
The HR Deluxe may have worked perfect since those monitors were so effecient and the crew dialed up a mix for each band member.
We had another pleasant surprise last night. Played an outdoor gig in a large back yard. Instead of lugging the big Yamaha mains with the "15's we set the monitors up on stands behind us, no floor monitors. These babies worked very well. These monitors are home-made (by me) using 12" Peavey BW speakers with piezo tweeters. Very effecient speakers, I'm a believer in BW's. I may have to pop one in the HR Deluxe. Ought to wake that little amp up--could clean up the low freqs considerably.
The HR Deluxe may have worked perfect since those monitors were so effecient and the crew dialed up a mix for each band member.
We had another pleasant surprise last night. Played an outdoor gig in a large back yard. Instead of lugging the big Yamaha mains with the "15's we set the monitors up on stands behind us, no floor monitors. These babies worked very well. These monitors are home-made (by me) using 12" Peavey BW speakers with piezo tweeters. Very effecient speakers, I'm a believer in BW's. I may have to pop one in the HR Deluxe. Ought to wake that little amp up--could clean up the low freqs considerably.
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Pete Burak
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"Instead of lugging the big Yamaha mains with the "15's we set the monitors up on stands behind us, no floor monitors."
Hey John,
'Round here we call that setup "Main-itors"!
~pb<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Pete Burak on 31 May 2003 at 10:27 AM.]</p></FONT>
Hey John,
'Round here we call that setup "Main-itors"!

~pb<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Pete Burak on 31 May 2003 at 10:27 AM.]</p></FONT>
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b0b
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Here's a link to the Lloyd Green post.
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Craig A Davidson
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It may be solid stae but, the new Evans SE200 is one heck of an amp. It weighs 39 pounds and is rated at 200 watts. It's the best amp I ever owned. By the way I like tubes too, but don't like the hassle with the tubes.
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1985 Emmons push-pull,Evans SE200
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Craig A Davidson on 01 June 2003 at 06:29 AM.]</p></FONT>
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1985 Emmons push-pull,Evans SE200
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Craig A Davidson on 01 June 2003 at 06:29 AM.]</p></FONT>
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John Russell
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Craig, I've heard good things about Evans amps and I think they make a smaller 150W amp. 39 lbs. sounds great to me, the HR weighs about 45 lbs. There are some hybrid amps that might be considered, Pignose has a 60W amp I'm interested in.
It's fun to watch the technology evolve. My rack rig is a hybrid-- Tube Works tube pre-amp and Gallien-Krueger SS power amp. It's not as powerful as the Peavey steel amps but has been enough for me. I may replace the EV 15" with a Peavey BW to see if that firms up the lows--going from 8 ohms to 4.
As you can tell, I'm of the "less is more" school of audio gear. My back ain't getting any stronger. After the setup of the PA and my steel rig I feel worked before I play the first note. Not having to hoist those 90 lb. mains is a large relief. --JR
It's fun to watch the technology evolve. My rack rig is a hybrid-- Tube Works tube pre-amp and Gallien-Krueger SS power amp. It's not as powerful as the Peavey steel amps but has been enough for me. I may replace the EV 15" with a Peavey BW to see if that firms up the lows--going from 8 ohms to 4.
As you can tell, I'm of the "less is more" school of audio gear. My back ain't getting any stronger. After the setup of the PA and my steel rig I feel worked before I play the first note. Not having to hoist those 90 lb. mains is a large relief. --JR
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Craig A Davidson
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